This book offers an extended analysis of writers and theatre companies in Britain since 1995, and explores them alongside recent cultural, social and political developments. Referencing well-known practitioners from modern theatre, this book is an excellent introduction to how contemporary drama is made and analysed.
Introduction; Chapter 1: In-Yer-Face Theatre and Legacies of the New Writing Boom; Chapter 2: Verbatim Theatre - The Rise of a Political Voice; Chapter 3: Writing and Devising - The Call for Collaboration; Chapter 4: Black and Asian Writers - A Question of Representation; Chapter 5: Theatre for Young People - Audiences of Today; Chapter 6: Adaptation and Transposition - Reinterpreting the Past; Conclusion; Student Resources; Index.
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